History of the violin

The violin emerged from northern Italy in the early 16th century, preceeded and evolving from three likely fretted and non fretted, stringed instruments : the rebec, the Renaissance fiddle, and the lira da braccio. The rebec derived from the Arab rebab had been in use since the 10th century . The earliest explicit description of the violin, including its tuning, was in the Epitome musical by Jambe de Fer, published in Lyon in 1556. By this time the violin had already begun to spread throughout Europe by the popularity of the court dance and street musicians. In the first half of the 16th century some of the early violins are attributed to Gasparo di Bertolotti da Salò (c.1540-1609) of Brescia, founder of the school of violin making in Brescia. However more convincingly the first violins were by Andrea Amati (1500-1577) of Cremona.

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About Me

I was always fascinated by violin making, and made my first violin at the age of 15. I studied in Mirecourt, France, in the national violin-making school, where I completed the 5-years diploma course, first of my class. I then studied restoration in Paris. I have been self-employed as a violin-maker in Cork, Ireland, since 1995, and I have developed a very personal approach to the restoration and making of fine violins, establishing a reputation for sound improvements and quality craftsmanship.

I started playing classical music on the violin at the age of five, I then studied in Grenoble, and in Epinal conservatory, were I obtained a superior diploma with distinction. I'm still a very serious enthusiast and I'm a leader and active member of Cork Symphony Orchestra. It is this experience which feeds my perpetual search for the ideal sound, and gives me a great understanding of musicians needs.

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Jeremie Legrand

I regularly exhibits instruments, and once a year, with the British violin-making association in the London Royal Academy of music. The last two years, my violins were chosen from over 50 by the Pioro and the Cappa quartet, who had been hired by the association to select the best sounding instruments for a gala concert. Because my instruments have been very successful, I'm now making violin, viola and cellos on a full-time basis.

Many professional players, and talented young artists, in places such as London, Spain, Germany, France, and Ireland, now play Legrand instruments.